Dakar, Senegal

nside the white mini bus. Twelve seats, all facing Dakar’s cacophony of human wanderings, roadside. Lemons, oranges, bananas. Cloth dolls and fabric passport-purses balanced in flat baskets on heads of moving women swathed in vibrant prints. Upholstered sofas wrapped in plastic for outside sales. Pens of goats awaiting slaughter—Mrs. Camara’s dinner. Fathers, mothers,

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Writing as Exploration

As writers, we are inspired by just about anything under the sun – and moon – because we know our writing will take us places. Often, we don’t know where we’re going when we start but we stay along for the ride, moved to explore new terrain or dig deeply into old places. If we do think we know where we’re going when we begin, it’s not at all unusual to be surprised at where we actually end up.

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