By Kathleen Holliday
I, too, had great expectations.
To be or not to be a wife
defined my life.
My dowry guaranteed
a husband, and I would be
a mother, helpmeet, nurse.
Nothing could be worse than
that damning epithet:
old maid.
Left at the altar – jilted.
My bouquet wilting,
I drew my veil down over my face
and let the yards of lace fall
dragging through the dust.
Years later, I still hold the knife:
May I cut you a slice -
a corner piece perhaps, with extra frosting?
Don’t mind the spiders
and the mice racing in and out,
tunnels crumbling behind them.
Mr. Dickens, I implore you -
change mine to a happy ending.
No funeral pyre,
no more desires gone up in smoke.
Set me in some future time
when I could say:
never married,
never needed to;
earned a degree, had a job, a car,
a condo in the city,
a lover who never strayed.
I’d celebrate my singular good fortune
with a cake -
not Mrs. Beeton’s recipe -
no butter, no gluten, no nuts.
I’d clear up after with a cordless vac.
I’d sweep the ceiling free of spider webs.
I’d read a novel in one sitting
then I’d take a nap.
Kathleen Holliday lives on an island in the Salish Sea. Her poems have appeared in The
Bellingham Review, The Blue Nib Literary Magazine, Cathexis Northwest Press, New Ohio Review, Nimrod International Journal, Poet Lore, Poetry Super Highway, SHARK REEF, The Write Launch and other journals. She is a graduate of Augsburg University, Minneapolis, MN. Her first chapbook, Putting My Ash on the Line, was published by Finishing Line Press, 2020;
her second, Boatman, Pass By, by Finishing Line Press, 2023.
All work by Kathleen Holliday