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Eric Heyne - 2 posts
has been living and teaching in Alaska for the last 30 years. He has previously published poems in Alaska Quarterly Review, Bird's Thumb, Cirque, Platte Valley Review, Eclectica, and elsewhere. He also has published articles on the theory of the fiction/nonfiction distinction, American literature, and northern and Alaskan literature, in Critique, Narrative, Modern Fiction Studies, Extrapolation, and River Teeth, among others. He is currently pursuing publication of a poetry collection entitled Fish the Dead Water Hard.
Erica Hoffmeister - 1 post
earned a dual degree from Chapman University in 2015, completing an M.A. in English and an M.F.A. in Creative Writing with an emphasis in poetry. Her poetry has been published in Split Lip Magazine and The Rat’s Ass Review. She also received an honorable mention for the Lorian Hemingway Short Story Prize in 2014. She currently lives in Denver, where she manically obsesses about various projects ranging from children’s picture books, YA fantasy novels, prose poetry, Riot Grrrl movement research, and trying to make sense of her theses.
Erica Nordean - 1 post
, native to the Pacific Northwest, is an internationally known painter recognized for her stunning depictions of horses and horse racing, as well as haunting landscapes and vibrant still life. She is primarily self-taught. With a powerful national presence in the national horse racing world, Erica’s paintings have shown at the prestigious Del Mar Thoroughbred Club where she was the 2010 featured program artist. Her art hangs in galleries from Seattle, Washington, to Saratoga Springs, New York. In California, her work has been shown at Santa Anita, Hollywood Park, Del Mar, and Bay Meadows racetracks. Erica has been collaborating with South Hill Gallery, Ltd. in Lexington, KY for many years, her only gallery in the East. Recently she has expanded her work to include multi-media, figurative, abstract landscapes and commission pieces. Her current work is about capturing the overall presence of a single figure. Her paintings are intense and ambiguous and many have a slightly lonely feel. Erica’s method is more about spending hours staring at the works than actually painting. She allows the paint to do what paint does...drip, mix and form shapes. She wants her paintings to breathe with visual density, color and texture, to reflect a state of being. www.ericanordean.com
Erika Brumett - 1 post
writes and paints in downtown Seattle. She runs a portraiture business, while pursuing an MFA from Northwest Institute of Literary Arts: Whidbey Writers Workshop. Her words appear in The Los Angeles Review, Soundings Review, and Black Lantern Publishing. Erika recently won The Coachella Review’s Fiction Prize, 2nd place for poetry in Bacopa Review's annual contest, and honorable mention for poetry in A Clean, Well-Lighted Place.
Erin Pounders - 1 post
is currently an MFA student at the University of Memphis where she is the fiction editor of The Pinch Literary Journal.
Ernest Williamson - 1 post
has published poetry and visual art in over 320 national and international online and print journals. Dr. Williamson has work forthcoming in The Columbia Review, Bricolage: University of Washington's Literary Arts Journal, and many others. View more of his work here: www.yessy.com/budicegenius
Eski Benson - 1 post
wrote Good Bad Good when he was 10 years old. He was born in Los Angeles in 1994 and understood Spanish before he learned to speak English. Eski moved to Lopez Island in 1999 when he was 5. Since then he has started riding horses and studying French.
Eugenia Toledo - 2 posts
was born in Temuco, Chile, and grew up in the same neighborhood as Pablo Neruda. She came to the U.S. in 1975 to pursue a Ph. D. in Latin American Literature at the University of Washington. She has published a study of the Spanish writer Fray Luis de León (Editorial Cíclope, Santiago); three books of poetry in Spanish, Arquitectura de ausencias, (Editorial Torremozas, España, 2006); Tiempo de metales y volcanes (Editorial 400 Elefantes, Nicaragua, 2007); and Casa de Máquinas (400 Elefantes, 2013); and a chapbook, Leaf of Glass, which won an Artella contest in 2005. At Seattle's Richard Hugo House, she has taught poetry writing in Spanish, and with Carolyne Wright, team-taught a course on Pablo Neruda. A bilingual manuscript of poems, Trazas de mapa, trazas de sangre / Map Traces, Blood Traces, written after her return to Chile with Carolyne Wright in late 2008, won a 2009 grant from 4Culture, and is forthcoming from Mayapple Press. Poems from this manuscript, in translation by Carolyne Wright, have appeared in basalt, Cirque, Hayden's Ferry Review, Lake Effect, Los Angeles Review, New Letters, Palabra, Poetry International, Rio Grande Review, ZYZZYVA, and the chapbook, La luz ambarina de la lluvia: Letras de Temuko / The Rain's Amber Light: Letters from Temuco. With her husband, she currently divides her time between Seattle and her native Temuco.
Eugenie Simpson - 1 post
lives and writes in Bellingham, Washington, where she enjoys the good company of many fine writers. She writes often writes on themes of embodiment and mortality, spiritual hungers. Her work has been published in cold drill, Billie Murray Denny Poetry Contest Collection, Shot Glass and Cirque.
Ewa Mazierska - 1 post
is a historian of film and popular music who writes short stories and nonfiction in her spare time. Her work has been or will be published in ‘The Longshot Island,’ ‘The Adelaide Magazine,’ ‘The Fiction Pool,’ ‘Literally Stories,’ ‘Ragazine,’ ‘BlazeVox,’ ‘Red Fez,’ ‘Away,’ ‘The Bangalore Review,’ ‘Terror House Magazine’ and ‘Mystery Tribune,’ among others. Ewa is a Pushcart nominee and her stories were shortlisted in several short stories competitions. She was born in Poland, but lives in Lancashire, UK.